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Performance Ticket for "Areaniu" – Liangshan Yi Ethnic Culture Live-Action Drama

Liangshan Yi, Mainland China
4.5 (80 reviews)
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Liangshan Yi Cultural Style Live Performance "A Re Niu"
The opening sequence centers on the "eagle" as a core image – as the "King of the Sky" revered by the Yi people, actors in eagle feather costumes soar across the stage, accompanied by ethereal Bimo chanting. This symbolizes the Yi people's resilient natio
The opening sequence centers on the "eagle" as a core image – as the "King of the Sky" revered by the Yi people, actors in eagle feather costumes soar across the stage, accompanied by ethereal Bimo chanting. This symbolizes the Yi people's resilient natio
The opening sequence centers on the "eagle" as a core image – as the "King of the Sky" revered by the Yi people, actors in eagle feather costumes soar across the stage, accompanied by ethereal Bimo chanting. This symbolizes the Yi people's resilient natio
"Water" is endowed with the imagery of feminine tenderness, deeply intertwined with the image of "Are Niu" (Yi ethnic girl). Through everyday scenes such as weaving, grinding tofu pudding, and singing folk songs by the stream, it showcases the brilliance
"Water" is endowed with the imagery of feminine tenderness, deeply intertwined with the image of "Are Niu" (Yi ethnic girl). Through everyday scenes such as weaving, grinding tofu pudding, and singing folk songs by the stream, it showcases the brilliance
"Water" is endowed with the imagery of feminine tenderness, deeply intertwined with the image of "Are Niu" (Yi ethnic girl). Through everyday scenes such as weaving, grinding tofu pudding, and singing folk songs by the stream, it showcases the brilliance
"Fire" represents masculine fortitude and national vitality: fire walls rising on the stage, torches in the hands of performers, fire wheels rotating in the sky, and "digital fire" flowing on the ground. More than ten types of fire interweave to form a st
"Fire" represents masculine fortitude and national vitality: fire walls rising on the stage, torches in the hands of performers, fire wheels rotating in the sky, and "digital fire" flowing on the ground. More than ten types of fire interweave to form a st
"Fire" represents masculine fortitude and national vitality: fire walls rising on the stage, torches in the hands of performers, fire wheels rotating in the sky, and "digital fire" flowing on the ground. More than ten types of fire interweave to form a st
The background music is based on traditional instruments such as the Yi moon lute and mouth harp, accompanied by live choral folk songs, sometimes melodious and sometimes passionate; the lighting switches with the plot, using warm light to create a tender
The background music is based on traditional instruments such as the Yi moon lute and mouth harp, accompanied by live choral folk songs, sometimes melodious and sometimes passionate; the lighting switches with the plot, using warm light to create a tender
The background music is based on traditional instruments such as the Yi moon lute and mouth harp, accompanied by live choral folk songs, sometimes melodious and sometimes passionate; the lighting switches with the plot, using warm light to create a tender
The play incorporates intangible cultural heritage projects such as Bimo chanting, Duolehe dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their singing and dancing retain their original ecological charm, without any delibera
The play incorporates intangible cultural heritage projects such as Bimo chanting, Duolehe dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their singing and dancing retain their original ecological charm, without any delibera
The play incorporates intangible cultural heritage projects such as Bimo chanting, Duolehe dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their singing and dancing retain their original ecological charm, without any delibera
“A Re Niu” uses a visual feast to help the audience understand the core of Yi culture: “revering nature and loving life.”
“A Re Niu” uses a visual feast to help the audience understand the core of Yi culture: “revering nature and loving life.”
“A Re Niu” uses a visual feast to help the audience understand the core of Yi culture: “revering nature and loving life.”
"Mountains" are both the home and spiritual vessel for the Yi people. The scene shifts to a backdrop of rolling mountains, where daily labor scenes such as herding cattle, brewing wine, and embroidering unfold slowly, accompanied by rich Yi folk songs. Th
"Mountains" are both the home and spiritual vessel for the Yi people. The scene shifts to a backdrop of rolling mountains, where daily labor scenes such as herding cattle, brewing wine, and embroidering unfold slowly, accompanied by rich Yi folk songs. Th
"Mountains" are both the home and spiritual vessel for the Yi people. The scene shifts to a backdrop of rolling mountains, where daily labor scenes such as herding cattle, brewing wine, and embroidering unfold slowly, accompanied by rich Yi folk songs. Th
Culminating in the "New Year Celebration," it integrates folk elements such as Duolehe dance, Dati dance carnival, and roasted suckling pig feast. When the entire venue lights up with torches, actors and audience dance together around a bonfire, pushing t
Culminating in the "New Year Celebration," it integrates folk elements such as Duolehe dance, Dati dance carnival, and roasted suckling pig feast. When the entire venue lights up with torches, actors and audience dance together around a bonfire, pushing t
Culminating in the "New Year Celebration," it integrates folk elements such as Duolehe dance, Dati dance carnival, and roasted suckling pig feast. When the entire venue lights up with torches, actors and audience dance together around a bonfire, pushing t
Seating chart for the Yi cultural immersive drama "Areniu"
Liangshan Yi Cultural Style Live Performance "A Re Niu"
The opening sequence centers on the "eagle" as a core image – as the "King of the Sky" revered by the Yi people, actors in eagle feather costumes soar across the stage, accompanied by ethereal Bimo chanting. This symbolizes the Yi people's resilient natio
The opening sequence centers on the "eagle" as a core image – as the "King of the Sky" revered by the Yi people, actors in eagle feather costumes soar across the stage, accompanied by ethereal Bimo chanting. This symbolizes the Yi people's resilient natio
The opening sequence centers on the "eagle" as a core image – as the "King of the Sky" revered by the Yi people, actors in eagle feather costumes soar across the stage, accompanied by ethereal Bimo chanting. This symbolizes the Yi people's resilient natio
"Water" is endowed with the imagery of feminine tenderness, deeply intertwined with the image of "Are Niu" (Yi ethnic girl). Through everyday scenes such as weaving, grinding tofu pudding, and singing folk songs by the stream, it showcases the brilliance
"Water" is endowed with the imagery of feminine tenderness, deeply intertwined with the image of "Are Niu" (Yi ethnic girl). Through everyday scenes such as weaving, grinding tofu pudding, and singing folk songs by the stream, it showcases the brilliance
"Water" is endowed with the imagery of feminine tenderness, deeply intertwined with the image of "Are Niu" (Yi ethnic girl). Through everyday scenes such as weaving, grinding tofu pudding, and singing folk songs by the stream, it showcases the brilliance
"Fire" represents masculine fortitude and national vitality: fire walls rising on the stage, torches in the hands of performers, fire wheels rotating in the sky, and "digital fire" flowing on the ground. More than ten types of fire interweave to form a st
"Fire" represents masculine fortitude and national vitality: fire walls rising on the stage, torches in the hands of performers, fire wheels rotating in the sky, and "digital fire" flowing on the ground. More than ten types of fire interweave to form a st
"Fire" represents masculine fortitude and national vitality: fire walls rising on the stage, torches in the hands of performers, fire wheels rotating in the sky, and "digital fire" flowing on the ground. More than ten types of fire interweave to form a st
The background music is based on traditional instruments such as the Yi moon lute and mouth harp, accompanied by live choral folk songs, sometimes melodious and sometimes passionate; the lighting switches with the plot, using warm light to create a tender
The background music is based on traditional instruments such as the Yi moon lute and mouth harp, accompanied by live choral folk songs, sometimes melodious and sometimes passionate; the lighting switches with the plot, using warm light to create a tender
The background music is based on traditional instruments such as the Yi moon lute and mouth harp, accompanied by live choral folk songs, sometimes melodious and sometimes passionate; the lighting switches with the plot, using warm light to create a tender
The play incorporates intangible cultural heritage projects such as Bimo chanting, Duolehe dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their singing and dancing retain their original ecological charm, without any delibera
The play incorporates intangible cultural heritage projects such as Bimo chanting, Duolehe dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their singing and dancing retain their original ecological charm, without any delibera
The play incorporates intangible cultural heritage projects such as Bimo chanting, Duolehe dance, and Yi wedding customs. Most of the actors are local Yi villagers, and their singing and dancing retain their original ecological charm, without any delibera
“A Re Niu” uses a visual feast to help the audience understand the core of Yi culture: “revering nature and loving life.”
“A Re Niu” uses a visual feast to help the audience understand the core of Yi culture: “revering nature and loving life.”
“A Re Niu” uses a visual feast to help the audience understand the core of Yi culture: “revering nature and loving life.”
"Mountains" are both the home and spiritual vessel for the Yi people. The scene shifts to a backdrop of rolling mountains, where daily labor scenes such as herding cattle, brewing wine, and embroidering unfold slowly, accompanied by rich Yi folk songs. Th
"Mountains" are both the home and spiritual vessel for the Yi people. The scene shifts to a backdrop of rolling mountains, where daily labor scenes such as herding cattle, brewing wine, and embroidering unfold slowly, accompanied by rich Yi folk songs. Th
"Mountains" are both the home and spiritual vessel for the Yi people. The scene shifts to a backdrop of rolling mountains, where daily labor scenes such as herding cattle, brewing wine, and embroidering unfold slowly, accompanied by rich Yi folk songs. Th
Culminating in the "New Year Celebration," it integrates folk elements such as Duolehe dance, Dati dance carnival, and roasted suckling pig feast. When the entire venue lights up with torches, actors and audience dance together around a bonfire, pushing t
Culminating in the "New Year Celebration," it integrates folk elements such as Duolehe dance, Dati dance carnival, and roasted suckling pig feast. When the entire venue lights up with torches, actors and audience dance together around a bonfire, pushing t
Culminating in the "New Year Celebration," it integrates folk elements such as Duolehe dance, Dati dance carnival, and roasted suckling pig feast. When the entire venue lights up with torches, actors and audience dance together around a bonfire, pushing t
Seating chart for the Yi cultural immersive drama "Areniu"

Available Options

"A Re Niu" Performance Ticket

VIP Area
1 318 900 UZS
≈$109
VIP Area
1 125 300 UZS
≈$93
Section A1
738 100 UZS
≈$61
Area A, Section 2
544 500 UZS
≈$45
Area B
350 900 UZS
≈$29

Included

  • Ticket: One ticket for the "A Re Niu" performance

Not Included

  • Other personal expenses
  • Tips and gratuities

Eligibility

  • Children under 120cm in height are free of charge (free admission for children without seats)
  • Children with a height of 120cm and above will be charged the same rate as adults

Additional information

  • It is recommended to arrive 30 minutes before the performance starts.
  • Once the ticket is verified, it cannot be refunded, exchanged, or have its seat changed.
  • The first 3 rows in front of the stage are the "fireworks core area," where special effects such as a 3-meter-high wall of fire and a flowing "digital fire river" are presented up close. Although there are safety precautions, it is recommended that seniors, children, and those with sensitive respiratory systems choose seats in row 5 or further back. If unexpected fireworks splash, do not panic and stand up; instead, lower your head and cover your face with clothing.
  • It is strictly forbidden to throw any items onto the stage (including glow sticks, snack wrappers). Pyrotechnic equipment generates high temperatures when operating, and thrown objects could pose a fire hazard.
  • It is recommended to wear clothing made of flame-retardant materials such as pure cotton or linen, and avoid wearing flammable chemical fiber or nylon fabrics; women with long hair should tie their hair up to prevent accidental entanglement in equipment or ignition by sparks; do not wear open-toed shoes (there may be scattered firework residue on the ground).
  • Do not bring flammable and explosive items such as lighters and power banks (exceeding 20000mAh) into the venue.
  • Pork consumption is prohibited inside the theater (some branches of the Yi ethnic group have dietary restrictions). Mineral water may be brought in, but the venue must be kept clean.
  • Do not casually touch props on the stage such as eagle feather costumes and yueqin, as they are all personal belongings of the actors or intangible cultural heritage items.
  • For the "Fire Worship and Blessing - Carnival Night" event, you need to collect a safety torch provided by the scenic area (bringing your own is prohibited), dance to the rhythm of the Dati dance, maintain a 1-meter distance from others, and avoid torch collisions.

Usage validity

  • The voucher is valid only on the specified date (and time if applicable)

Show Schedule

  • Saturday: 20:00

How to redeem

  • Exchange the electronic QR code sent by Klook for a physical ticket at the Areniu Ticket Center for admission.

Address

  • Inside Torch Square, Sanchakou South Road, Xichang City, Liangshan Prefecture, Sichuan Province

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350 900 UZS per person
≈$29
Cashback up to 17 545 so'm
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Cancellation Policy

  • You'll get a full refund if you cancel at least 24 hour(s) before the activity date (destination local time)

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